| Alex Szalay Music Projects | 
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 | Early Electronic Music Instruments
	In the mid 1970's with my brother Andras we have designed and built several analog 
	synthesizers,
	some of which are still operational. We used these with our band Panta Rhei 
	as well as in various recording projects on other band's albums. We also bult various guitar effects, 
	sequencers, mixing consoles.
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   | MUZIX81
	My brother, Andras Szalay has been 
	the principal designer of the Sinclair ZX81-based MUZIX 81 sequencer and digital 
	audio processor (1981). This was built and widely used before MIDI appeared. About 100 
	systems have been sold, all over the world. The story of the system appered in March 2009, at the 
	Retrothing 
	website.
	
 The system used a click-track recorded on a tape to synchronize, and
	enabled a sophisticated hierarchical pattern editor, with its own shorthand language to 
	create and transpse sequences. I helped to write some of the software components of the 
	system. The software still exists, and is described and downloadable from 	
	here.
 
 
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   | Using the MUZIX81 System
	We also got mentioned/reviewed in various magazines at the time.
	  
	 
	The system was widely used in Europe from Hungary (Gabor Presser, 
	Omega, PR Computer) to Germany (Frank Farian, Boney M etc) and the UK. We also used it on our 
	PR Computer album, which sold over 100,000 copies in 
	the mid 80s. Using this system, Gabor Presser has recorded an LP called 
	"Electromantic", whose title song 
	was the music of the BBC Nightly News intro for more than a year.
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 | Working with Zoltan JeneyIn the 70s and 80s I have worked a lot with 
		New Music Studio, 
		a group dedicated to exploring avant-garde music in Budapest, Hungary.
		One of those pieces (Szazeves Atlag -- Hundred Year's Average) appeared on an LP containing the compositions of
		Zoltan Jeney. | 
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 | Jamming with AlapiBefore the 2022 Panta Rhei concert I appeared in a podcast by 
		Istvan Alapi, one of the 
		best known Hungarian guitar payers, lead guitarist with EDDA Works.  At the end of the 
		podcast we were jamming over a theme I brought, after about 10 minutes of rehearsal.
		The whole podcast is here.
		(in Hungarian). The music starts at 25:00. |